Six Organs of Admittance, Low Hums, Colossal Yes

When: Thu., Oct. 4, 9 p.m. 2012


Despite Ben Chasny's mercurial nerdiness, I've always liked Six Organs of Admittance. Emotionally, I ascribe this to the fact that the band came into existence at the same time I became an adult, and it's comforting to hear that somebody else also experiences frequent fluctuations in mood and identity. In reality though, SOOA may have faded from my consciousness were it not for Chasny's affiliation with Comets on Fire, the face-melting psychedelic band whose depressingly long hiatus effectively ended with this year's Ascent. In name, it's an SOOA album, but the huge sound, drawn-out solos, and sonic stoniness fill the aural gap where a long-awaited Comets on Fire album should be, and each band's lineup is coterminous with the other. Ascent also marks a meaningful—and by now expected—departure from SOOA's 2011 release, Asleep on the Floodplain, a gorgeously sparse album in which Chasny played every last instrument himself. REBECCA WILSON

Price: $12

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